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Virginia Wildlife»rank: 2224from: Virginia Dept of Game and Inland Fisheri
0ur opinion: :For 63 years, Virginia Wildlife magazine has been dedicated to bringing its readers the best in hunting, fishing, boating, and wildlife resource information from around the state. lts award winning design, feature articles, spectacular color photography, and original artwork is an excellent way to explore Virginia's great outdoors.
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Mufon UFO Journal»rank: 1916from: Mutual UFO Network Inc
0ur opinion: :Devoted to the investigation, study and research of the phenomenon known as unidentified flying objects (UF0's) on an international scope.
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Technology Review - English ed»rank: 698from: Technology Review
0ur opinion: :Technology Review, the award-winning magazine from MlT, is the only publication you need to keep up with what's happening in every area of emerging technology. Technology Review covers technological innovation when it is most rapid - biotechnology, lT, and nanotechnology.
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Isotope: a Journal of Literary Nature and Science Writing»rank: 2456from: Utah State Univ/Eng Dept
0ur opinion: :Technology Review, the award-winning magazine from MlT, is the only publication you need to keep up with what's happening in every area of emerging technology. Technology Review covers technological innovation when it is most rapid - biotechnology, lT, and nanotechnology.
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American Gardener»rank: 2335from: American Horticultural Society
0ur opinion: :The American Horticultural Society publisher The American Gardener magazine. This magazine provides a treasure of gardening information for both the amateur and professional gardener. A subscription includes six issues per year. Abstract:Articles, product information, and reviews aimed at amateur and professional horticulturalists.
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MotherVerse: A Journal of Contemporary Motherhood»rank: 1135from: Motherverse Magazine
0ur opinion: :MotherVerse Magazine is an independently run literary journal focused on contemporary motherhood. ln each extensive semiannual edition MotherVerse publishes personal essays, short fiction, and poetry that use motherhood as a lens.
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Brayer»rank: 1965from: American Donkey & Mule Society
0ur opinion: :Source of information for donkeys, mules and zebra hybrids.
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Nebraskaland»rank: 1966from: Nebraska Game & Parks Commissn
0ur opinion: :NEBRSKAland Magazine is a general interest magazine focusing on hunting, fishing, parks, outdoor recreation, flora, fauna, conservation and life in Nebraska.
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Earth - Va»rank: 617from: American Geological Institute
0ur opinion: :Reports geoscience news of research developments; geologic events; professional meetings; and trends in government policy, education, and industry. Abstract:Articles, interviews and profiles, reviews of books and software and timely news of note on all aspects of geology, published by the American Geological lnstitute.
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International UFO Reporter»rank: 1989from: Center for UFO Studies
0ur opinion: :Examines the latest UF0 sightings, theories, and insightful commentary.
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The segment on Van Gogh is, as expected, emotional, yet Schama convincingly portrays Van Gogh as not consumed by madness, but fighting off the episodes with painting. Van Gogh painted one of his most evocative works, Wheat Field With Crows, which even his brother, Theo, recognized was about to put his brother on the artistic map. Yet, as Schama points out, within weeks, Van Gogh had killed himself. "Now why would he want to do that?" Schama muses--and then proceeds to narrate the tormented tale of the answer. Along the way, the viewer gains new appreciation for Van Gogh's signature works, including his famous sunflowers. "Technically, these are still lives," Schama says, "but there's nothing still about them... the sunflowers [seem to be] organisms landing violently from a burning sun." If the reenactments of the artists' lives are a bit overdone, it's forgivable, since the cumulative effect, in an hour, is a new appreciation of the work and the man.
Extras include frank and very funny commentaries by Schama and his co-producer, and lots of behind-the-scenes dish on how certain scenes were achieved. The teeming French opera scene in the "David" episode, for instance, was cast using just 20 French extras and then the rest created by CGI--"the scene works better, really, than [the film] King Kong," Schama says with delight. --A.T. Hurley


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Bird has his cake and eats it, too. He and the Pixar wizards send up superhero and James Bond movies while delivering a thrilling, supercool action movie that rivals Spider-Man 2 for 2004's best onscreen thrills. While it's just as funny as the previous Pixar films, The Incredibles has a far wider-ranging emotional palette (it's Pixar's first PG film). Bird takes several jabs, including some juicy commentary on domestic life ("It's not graduation, he's moving from the fourth to fifth grade!").
The animated Parrs look and act a bit like the actors portraying them, Craig T. Nelson and Holly Hunter. Samuel L. Jackson and Jason Lee also have a grand old time as, respectively, superhero Frozone and bad guy Syndrome. Nearly stealing the show is Bird himself, voicing the eccentric designer of superhero outfits ("No capes!"), Edna Mode.
Nominated for four Oscars, The Incredibles won for Best Animated Film and, in an unprecedented win for non-live-action films, Sound Editing.
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The Presentation
This two-disc set is (shall we say it?), incredible. The digital-to-digital transfer pops off the screen and the 5.1 Dolby sound will knock the socks off most systems. But like any superhero, it has an Achilles heel. This marks the first Pixar release that doesn't include both the widescreen and full-screen versions in the same DVD set, which was a great bargaining chip for those cinephiles who still want a full-frame presentation for other family members. With a 2.39:1 widescreen ratio (that's big black bars, folks, à la Dr. Zhivago), a few more viewers may decide to go with the full-frame presentation. Fortunately, Pixar reformats their full-frame presentation so the action remains in frame.
The Extras
The most-repeated segments will be the two animated shorts. Newly created for this DVD is the hilarious "Jack-Jack Attack," filling the gap in the film during which the Parr baby is left with the talkative babysitter, Kari. "Boundin'," which played in front of the film theatrically, was created by Pixar character designer Bud Luckey. This easygoing take on a dancing sheep gets better with multiple viewings (be sure to watch the featurette on the short).
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Brad Bird still sounds like a bit of an outsider in his commentary track, recorded before the movie opened. Pixar captain John Lasseter brought him in to shake things up, to make sure the wildly successful studio would not get complacent. And while Bird is certainly likable, he does not exude Lasseter's teddy-bear persona. As one animator states, "He's like strong coffee; I happen to like strong coffee." Besides a resilient stance to be the best, Bird threw in an amazing number of challenges, most of which go unnoticed unless you delve into the 70 minutes of making-of features plus two commentary tracks (Bird with producer John Walker, the other from a dozen animators). We hear about the numerous sets, why you go to "the Spaniards" if you're dealing with animation physics, costume problems (there's a reason why previous Pixar films dealt with single- or uncostumed characters), and horror stories about all that animated hair. Bird's commentary throws out too many names of the animators even after he warns himself not to do so, but it's a lively enough time. The animator commentary is of greatest interest to those interested in the occupation.
There is a 30-minute segment on deleted scenes with temporary vocals and crude drawings, including a new opening (thankfully dropped). The "secret files" contain a "lost" animated short from the superheroes' glory days. This fake cartoon (Frozone and Mr. Incredible are teamed with a pink bunny) wears thin, but play it with the commentary track by the two superheroes and it's another sharp comedy sketch. There are also NSA "files" on the other superheroes alluded to in the film with dossiers and curiously fun sound bits. "Vowellet" is the only footage about the well-known cast (there aren't even any obligatory shots of the cast recording their lines). Author/cast member Sarah Vowell (NPR's This American Life) talks about her first foray into movie voice-overs--daughter Violet--and the unlikelihood of her being a superhero. The feature is unlike anything we've seen on a Disney or Pixar DVD extra, but who else would consider Abe Lincoln an action figure? --Doug Thomas
More Incredibles at Amazon.com
![]() The Incredibles Toy Store | ![]() CD Soundtrack | ![]() The Art of The Incredibles Book |
![]() Game Boy Advance | ![]() On VHS | ![]() The Essential Guide Book |
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The Pixar Feature Films
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More Animation DVDs
![]() Favorite Animated Performances | ![]() Previous Animated Oscar Nominees | ![]() If You Like The Incredibles... |
![]() Our Disney DVD Store | ![]() Looney Tunes Golden Collection | ![]() Walt Disney Treasures |
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More Superheroes on DVD
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Also from Filmmaker Brad Bird
![]() The Iron Giant (Writer/Director) | ![]() "Family Dog" on Amazing Stories (Writer/Director) | ![]() Batteries Not Included (Cowriter) |
![]() The Simpsons (Director/Consultant) | ![]() King of the Hill (Consultant) | ![]() The Critic (Consultant) |