Shopping Mall > Magazines > Economics and Economic Theory ItemPage 14

The word Baraka means "blessing" in several languages; watching this film, the viewer is blessed with a dazzling barrage of images that transcend language. Filmed in 24 countries and set to an ever-changing global soundtrack, the movie draws some surprising connections between various peoples and the spaces they inhabit, whether that space is a lonely mountaintop or a crowded cigarette factory. Some of these attempts at connection are more successful than others: for instance, an early sequence segues between the daily devotions of Tibetan monks, Orthodox Jews, and whirling dervishes, finding more similarity among these rituals than one might expect. And there are other amazing moments, as when sped-up footage of a busy Hong Kong intersection reveals a beautiful symmetry to urban life that could only be appreciated from the perspective of film. The lack of context is occasionally frustrating--not knowing where a section was filmed, or the meaning of the ritual taking place--and some of the transitions are puzzling. However, the DVD includes a short behind-the-scenes featurette in which cinematographer Ron Fricke (Koyaanisqatsi) explains that the effect was intentional: "It's not where you are that's important, it's what's there." And what's here, in Baraka, is a whole world summed up in 104 minutes. --Larisa Lomacky Moore

The tricky topic of interracial romance gets a sexy, charming, and unexpectedly realistic treatment in Something New. Kenya (Sanaa Lathan, Out of Time, Alien Vs. Predator), a successful accountant, gets set up on a blind date with Brian (Simon Baker, The Ring Two)--only to discover that he's white, leading her to cut the date short. At a party, Kenya admires the garden and gets introduced to the landscape architect: Brian. Thus begins a bumpy but increasingly sparky relationship, despite opposition from Kenya's friends and family, as well as Kenya and Brian's own internal resistance. Make no mistake, Something New is a mainstream romantic comedy, with ridiculously attractive people grappling with problems that get solved with just a little too much ease--but along the way, Kriss Turner's script, Sanaa Hamri's direction, and Baker's and especially Lathan's performances ground the movie in something resembling the real world. Kenya's and Brian's emotional terrain has a genuine texture to it; the rhythm of the dialogue and the visual pacing allows their characters to breathe and become more genuine and vivid than your standard rom-com lovers. The strong supporting cast--including Alfre Woodard (Crooklyn), Donald Faison (Scrubs), Mike Epps (Next Friday), and Blair Underwood (Full Frontal)--doesn't hurt. But Lathan owns the movie; this actress deserves true stardom. --Bret Fetzer